A memoir-driven manifesto arguing that as machines master thinking, creation is how we stay human.
“A tour de force, astonishingly comprehensive exploration of the creative life. Part manifesto, part manual, part tale of a journey taken, Homo Artis embodies in every way the path forward it advocates: openness, inventiveness, curiosity, playfulness, depth, fullness of feeling. Every sentence shines.” Jane Hirshfield
The multidisciplinary artist draws on a career in music, visual art, and film to make the case for creativity as humanity’s defining value — and ultimate currency. HOMO ARTIS: A Manifesto for Creation in the Age of AI is out now.
LOS ANGELES, September 15, 2026 — Multidisciplinary artist Marco Palou has released HOMO ARTIS: A Manifesto for Creation in the Age of AI, his first book, which examines the evolving and increasingly essential nature of human creativity, and how it carries new weight as artificial intelligence reshapes how people work, think, and define their value.
Published on September 15, 2026, the ebook and paperback are available now.
Part manifesto, part memoir, and part field guide, HOMO ARTIS proposes a shift from Homo sapiens – humans defined by knowledge – to Homo artis, or humans defined by the capacity to create. What happens when traditional measures of human worth (intelligence, knowledge, productivity, wealth) dissipate, and what we dream and make through artistry becomes our primary asset? As machines become increasingly capable of logic, calculation, and information processing, Palou argues that creativity offers a more durable understanding of what makes human life meaningful.
“We aren’t thinking beings who sometimes create,” he says. “We’re creating beings who sometimes think.”
The proliferation of AI and emerging technologies simply serves as the launchpad for HOMO ARTIS, which is more deeply about a tested, personal, and philosophical practice for living a creative life. The book asks how people can work with new tools without surrendering authorship or embodied experience, but focuses more chiefly on the tools we carry within ourselves.
Palou’s case for creativity comes from a career built across disciplines. After moving from Argentina to New York in his late teens to pursue ballet, he developed a practice spanning performance, music, visual art, filmmaking, and writing. As Baby Yors, he has written and composed all of his own music, performed internationally, and built narrative worlds across songs, video, movement, and design.
That cross-medium approach extends to projects like Americanos, presented with Hamilton Selway in Los Angeles, which connects his album Americano with paintings, wearable sculpture, and moving-image work to examine immigration, identity, and financial survival in America. In film, Palou wrote, directed, produced, edited, performed in, and composed music for the short Chic and Chambray, which received audio, visual, and debut-film awards at the Deep Cut Film Festival.
Palou also directed, edited, and produced Any Moment Now, a short film narrated by Rose McGowan that uses music and intertwined stories to explore creation, transition, and mortality. He has directed music videos and commercial work for other artists and brands, and has spoken about art, identity, and technology at SXSW. His work has been covered in Rolling Stone, Billboard, Forbes, The Hollywood Reporter, V Magazine, People en Español, and Paper, among others.
HOMO ARTIS traces the personal history beneath that body of work, from the handmade paper-flower traditions of Palou’s childhood in northern Argentina to working catering jobs between auditions and a life-threatening medical crisis that transformed how he approached his creative life.
It introduces practical frameworks developed through that experience, and even offers a new creative vocabulary, including the “Cathedral Method” for sustaining multiple creative projects; “Presencing” as a discipline for witnessing one’s life clearly enough to create from it; and an ethical, symbiotic model for using AI to further realize one’s vision.
For Palou, HOMO ARTIS is, first and foremost, a compass to return us to our intended path as creating beings. “We handed our value to work, our attention to screens, and our wonder to the feed,” he says. “We began to trivialize art, shrinking it to simple categories like a job, decoration, luxury, or hobby. Something for other people. And some of us have been quietly starving ever since. HOMO ARTIS is about the way back.”
“Boredom, it turns out, may be creativity’s last remaining habitat.”
“In a world of efficiency and profit, the unnecessary becomes holy.”
“The collector who owns the painting gets a fifty-thousand-dollar tax deduction. The artist who made it gets a receipt for the paint.”
“Suffering doesn’t sharpen your vision. It narrows it. Clarity is what makes better art.”
“Screens can simulate attention, but only bodies can synchronize it.”
“We are the last generation that knew a world more here than there.”
“Don’t give yourself to the artificially kind.”
Marco Palou is an Argentine artist, author, and director working across music, film, visual art, and writing. He builds symbolic worlds where myth, ritual, and technology intersect, returning across mediums to a central question: how does creativity shape human identity in moments of profound change? Palou’s first book, HOMO ARTIS: A Manifesto for Creation in the Age of AI (Palou Press, September 15, 2026), blends memoir, cultural argument, and a practical philosophy for creative living. Drawing on Latin American storytelling traditions, contemporary technology culture, and his experience as a working artist, the book considers what creativity means at a moment when machines are increasingly capable of performing work once thought uniquely human.
Under the name Baby Yors, Palou writes, composes, and performs music that blends Latin rhythms with electronic production. His work has been released across four continents, and he has performed on stages around the world. As a director, he created the award-winning short film Chic and Chambray and Any Moment Now, narrated by Rose McGowan, alongside music videos and campaigns for artists and global brands. Palou’s visual practice is rooted in memory, migration, folklore, and transformation. His ongoing painting series Los Diablos, begun in 2013, draws from the ritual traditions of northern Argentina. His exhibition Americanos, presented with Hamilton Selway in Los Angeles, brought painting, wearable sculpture, performance, and film together in a meditation on immigration, assimilation, and survival in the United States.
His work has been covered by Rolling Stone, Billboard, Forbes, The Hollywood Reporter, and V Magazine. Out named him among its 100 most influential LGBTQ+ people, and he has spoken about art and technology at SXSW and the United Nations. He is the president of the Art Anyway Foundation and host of the Don’t Freak Out podcast.
Across everything he creates, Palou treats art as a social force: a way for strangers to encounter one another, reconsider the identities they have inherited, and imagine new forms of collective life.
Julieta Martinez, Publicity
info@amartelabs.com
HOMO ARTIS is published by Palou Press and available in hardcover, paperback, and ebook. An audiobook narrated by Palou is in production.
HOMO ARTIS is Marco Palou’s memoir-driven manifesto about creativity, human connection, and making meaning in the age of AI.
In HOMO ARTIS: A Manifesto for Creation in the Age of AI, artist and author Marco Palou asks what gives human life meaning when intelligence and productivity no longer seem sufficient measures of our worth. Drawing on his experience across music, film, visual art, and writing, he brings memoir into conversation with a practical philosophy of creative living. The book explores attention, the body, memory, collaboration, mentorship, and the relationship between an artist and an audience. It also considers how AI can serve a human vision without replacing authorship or lived experience. “Homo Artis” is Palou’s name, within this book, for a way of understanding ourselves through the act of creation.
Its twenty-nine chapters move from the personal — a near-fatal medical crisis, a childhood among the paper-flower festivals of northern Argentina, the immigrant artist’s years in New York — through a practical philosophy of creative living and out to the civilizational stakes of the age of AI. It includes the fictional chapter “Angels” and concludes with a dramatic Speech to Humanity, written to be performed aloud. Roughly 300 pages; published September 15, 2026 by Palou Press in hardcover, paperback, and ebook, with an author-narrated audiobook to follow.
Homo Artis — a way of understanding ourselves through creation; a shift from Homo sapiens, defined by reason, to the species defined by making. Dancing with the machine — using AI and tools so they serve a human vision rather than the reverse. The Cathedral Method — Palou’s practice for keeping ideas, memories, objects, and unfinished projects connected and alive over time. Presencing — attentive observation of one’s lived experience, clearly enough to create from it. Touchies — meaningful physical objects that link memory and creative practice. The Witness — an attentive person who can understand and respond honestly to an artist’s work.
In Marco Palou’s book, Homo Artis describes human beings through their capacity to create and to turn experience into meaning. It is a philosophical proposal about living creatively — a shift from Homo sapiens, the species defined by reason, to Homo Artis, the species defined by creation.
No. Palou examines the pressures technology places on attention, authorship, and human relationships, and also considers constructive uses of AI under human direction — “dancing with the machine” so tools serve a human vision. Its broader concern is the practice of living creatively.
Palou’s personal creative practice for keeping ideas, memories, objects, and unfinished projects connected and available to develop over time. It is his approach, described in the book.
Twenty-nine chapters moving from memoir through a practical philosophy of creative living to the civilizational stakes of the age of AI, including the fictional chapter “Angels” and a closing Speech to Humanity written to be performed aloud.
Published by Palou Press on September 15, 2026, in hardcover, paperback, and ebook, with an author-narrated audiobook to follow.
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This isn’t a book to finish but a practice to begin. Read it, make something, and tell us about it.